Self Portrait, 2024
Kodak 110, Black and White. (c) John Goodwin, 2024
Marbach, Germany, May 2026
(c) John Goodwin, 2026
Utrecht after Uta: Out of Focus
Uta Barth asks: why does it have to be in focus? The value of the awkward off-balance with attention placed elsewhere.
Pentax Auto 110. Lomochrome. (c) John Goodwin, 2026
Turn
(c) John Goodwin, 2026
Misty
(c) John Goodwin, 2026. Ranked in the Hispstamatic Top 9 images, 1st Feb 2026.
Recording in Fields Past
(c) John Goodwin, 2026
Digging for Missing Letters
(c) John Goodwin, 2026
Parking Structure
(c) John Goodwin, 2026
Night Bomber
(c) John Goodwin, 2025
Chesterfield December 2025 – ‘Out of the Fog’
(c) John Goodwin, 2025
Vintage Flyer – Family and Class in a London Suburb 1960/2025
I am using old copies of the British Journal of Sociology from the 1960s, for an art project. The first one I opened had a vintage flyer inside the front cover! Then and now – still relevant.
Japan 2014 (C) John Goodwin 2014
Modernist Leicester
Coal WasOur Life
(c) John Goodwin, 2017
Goodwin, J. (2025) Coalville: Imaging ‘Coal Was Our Life’, International Sociological Association RC57 VISUAL SOCIOLOGY, Newsletter 25.1, ISA: Madrid.
DLA Marbach, Germany 2025
(c) John Goodwin, 2025
Marbach, Germany 2025
(c) John Goodwin, 2025
Industry, Chestefield 2025
(c) John Goodwin, 2025
Self Portrait 2025, Insatx Sq
(c) John Goodwin, 2025
Stuart Hall, Leicester 2025
(c) John Goodwin, 2025
Leicester 2012
(c) John Goodwin, 2012
Rosewall, Chesterfield
(c) John Goodwin, 2011
Glasgow 2014
(c) John Goodwin, 2014
Sheffield, 2015
(c) John Goodwin, 2015
Dublin, 2015
(c) John Goodwin, 2015
The Waiting Miner, 2017
(c) John Goodwin, 2017
Belfast 2012 (c) John Goodwin 2012
