Self Portrait, 2026 – After Gisèle Freund Le Monde et ma caméra (1974)
Calais, France, October 2026
All images (c) John Goodwin, 2026
Lijssenthoek Military Cemetery, Poperinge, West Flanders, Belgium, October 2026
All images (c) John Goodwin, 2026
Leicester, 2026 – Konica C35 EF.
(c) John Goodwin, 2026.
Self Portrait, 2024
Kodak 110, Black and White. (c) John Goodwin, 2024
Here Lies, August 2026
Kodak Vecta, expired 127 Black and White film. (c) John Goodwin, August 2026
Wall – Alter Stones, August 2026
Kodak Vecta, 127 Colour film. (c) John Goodwin, August 2026
Tree – Alter Stones, August 2026
Kodak Vecta, 127 Colour film. (c) John Goodwin, August 2026
Chesterfield August 2026
Kodak Vecta, expired 127 Black and White film. (c) John Goodwin, August 2026
The Lingering Spectre of Coal
(c) John Goodwin. The image was taken on a first-model Kodak Brownie 127 from the late 1950s, using expired 127 film. Winner, University of Leicester Images of Research Competition, 2026
Coalville Entertainments – Hidden ‘Ghost Sign’ July 2026
(c) John Goodwin, July 2026
St John’s Cathedral, ‘s-Hertogenbosch (Den Bosch) – July 2026
Brownie Hawkye, 127 Colour film. (c) John Goodwin, July 2026
Mablethorpe Beach Huts – Various Years
(c) John Goodwin, 2026
Marbach, Germany, May 2026
(c) John Goodwin, 2026
Utrecht after Uta: Out of Focus
Uta Barth asks: why does it have to be in focus? The value of the awkward off-balance with attention placed elsewhere.
See also: https://www.youtube.com/watch?v=Fz6edE5SYhY
Pentax Auto 110. Lomochrome. (c) John Goodwin, 2026
Turn
(c) John Goodwin, 2026
Misty
(c) John Goodwin, 2026. Ranked in the Hispstamatic Top 9 images, 1st Feb 2026.
Recording in Fields Past
(c) John Goodwin, 2026
Digging for Missing Letters
(c) John Goodwin, 2026
Parking Structure
(c) John Goodwin, 2026
Night Bomber
(c) John Goodwin, 2025
Chesterfield December 2025 – ‘Out of the Fog’
(c) John Goodwin, 2025
Vintage Flyer – Family and Class in a London Suburb 1960/2025
I am using old copies of the British Journal of Sociology from the 1960s, for an art project. The first one I opened had a vintage flyer inside the front cover! Then and now – still relevant.
Japan 2014 (C) John Goodwin 2014
Modernist Leicester
Coal WasOur Life
(c) John Goodwin, 2017
Goodwin, J. (2025) Coalville: Imaging ‘Coal Was Our Life’, International Sociological Association RC57 VISUAL SOCIOLOGY, Newsletter 25.1, ISA: Madrid.
DLA Marbach, Germany 2025
(c) John Goodwin, 2025
Marbach, Germany 2025
(c) John Goodwin, 2025
Industry, Chestefield 2025
(c) John Goodwin, 2025
Self Portrait 2025, Insatx Sq
(c) John Goodwin, 2025
Stuart Hall, Leicester 2025
(c) John Goodwin, 2025
Leicester 2012
(c) John Goodwin, 2012
Rosewall, Chesterfield
(c) John Goodwin, 2011
Glasgow 2014
(c) John Goodwin, 2014
Sheffield, 2015
(c) John Goodwin, 2015
Dublin, 2015
(c) John Goodwin, 2015
The Waiting Miner, 2017
(c) John Goodwin, 2017
Belfast 2012 (c) John Goodwin 2012
Views From the Car Dec 2011 – Jan 2012
